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Rembrandt, maestro del claroscuro

Grandes artistas

Paper Toy Notebook
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Rembrandt, maestro del claroscuro
Rembrandt, maestro del claroscuro

Rembrandt fue uno de los mayores maestros barrocos de la pintura y el grabado. El artista holandés es conocido por su especial habilidad para capturar las luces y sombras.

Entre las obras más destacada de Rembrandt se encuentran los maravillosos retratos de sus contemporáneos, como el Retrato de Cornelis Claesz Anslo, o los suyos propios: durante cuarenta años, Rembrandt pintó una cantidad notable de autorretratos (se conocen más de cien), obra que constituye una magnífica biografía única en la historia del arte. ¿Te imaginas cuántas imágenes suyas tendríamos si el artista hubiese vivido en la época del selfie?

Paper Toy included in the notebook: Personajes y grandes personajes (I)

Galería

Imagen: Ronda de noche, 1642
Título: Ronda de noche, 1642
Imagen: Autorretrato como el apóstol Pablo, 1662
Título: Autorretrato como el apóstol Pablo, 1662
Imagen: Lección de anatomía del Dr. Nicolaes Tulp,1632
Título: Lección de anatomía del Dr. Nicolaes Tulp,1632
Imagen: El retorno del hijo pródigo, 1668
Título: El retorno del hijo pródigo, 1668
Imagen: La novia judía (Isaac y Rebeca) 1666
Título: La novia judía (Isaac y Rebeca) 1666
Imagen: Compañía musical, 1626
Título: Compañía musical, 1626
Rembrandt
Rembrandt Harmenszoon van Rijn (/ˈrɛmbrænt, ˈrɛmbrɑːnt/, Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin]; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone. In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization". The French sculptor Auguste Rodin said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him!"
Rembrandt

Conceptual map: Rembrandt, maestro del claroscuro

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