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Rogier van der Weyden, Crucifixion Triptych, c. 1445, oil on oak, center panel101 x 70 cm, each wing101 x 35 cm (Kunsthistorisches Museum, Vienna).

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Hugo van der Goes, The Adoration of the Kings (Monforte Altar), c. 1470, oil on oak, 147 x 242 cm (Gemäldegalerie, Staatliche Museen zu Berlin).

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Petrus Christus, Portrait of a Young Woman, c. 1470, oil on oak, 29 x 22.50 cm (Gemäldegalerie, Staatliche Museen zu Berlin). In the Google Art Project http://www.googleartproject.com/collection/gemal ...

Fra Angelico, The Annunciation, c. 1438-47, fresco, 230 x 321 cm (Convent of San Marco, Florence). Speakers Dr. Beth Harris and Dr. Steven Zucker.

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Jan (and Hubert) Van Eyck, Ghent Altarpiece or The Adoration of the Mystic Lamb, tempera and oil on panel, 11' 5" x 15' (open panels), Cathedral of Saint Bavo, Ghent, Belgium, completed 143.

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Brunelleschi's Experiment An introduction to Filippo Brunelleschi's experiment regarding linear perspective, c. 1420, in front of the Baptistry in Florence.

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Representations of David in the Florentine Renaissance. Speakers Dr. David Drogin, Dr. Beth Harris.

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Robert Campin, Merode Altarpiece, tempera and oil on panel, 1425-28 (Metropolitan Museum of Art). Speakers Dr. Beth Harris, Dr. Steven Zucker.

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Follower of Bernardo Daddi, The Aldobrandini Triptych, tempera on panel, ca. 1336 (Portland Art Museum). Speakers Tina Olsen and Maribeth Graybill.

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Icon of Saint George (the "Black George"), late 14th Century, tempera, gesso on linden (?) panel, , 77.4 x 57 cm (British Museum, London). Speakers Pippa Couch and Rachel Ropeik.

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